“But who wants to see ‘El Hormiguero’?” Inés Hernand said jokingly.. “Everyone, what happens is that the poor Pablo Motos He is now desperate. I have read things”he later assured Mercedes Milá, who also added that she was “happy and full of energy” facing this new professional challenge: “Very happy with Inés and happy to share with her because we are like a Rubik’s cube that goes together.”

For its part, Ines Hernand She has been impressed by being able to meet and work with Mercedes Milá: “She is a generous, humble, intelligent person and wants interlocutors who are up to the task. She doesn’t want submissives. She is cool, contemporary, and you can learn a lot from her.”

The extensive archive with Mercedes Milá’s historical interviews is the common thread of the program and its objective is twofold: explain to young people what our country’s past was like and understand what the present is like through interviews and spontaneous conversations with them. ‘I don’t know what you’re talking about’ is a phrase that is repeated throughout the program because the aim is for one of the parties to explain to the other what they are referring to.

“It is possible to unite these two generations in the program. But young people must be asked to speak. If you combine that with the guests we have in the center, trying to agree on how things have changed, the result will be good,” the presenter commented on the space.

Each episode features two guests. On some occasions, people that Mercedes Milá interviewed decades ago, as well as others that the journalist interviewed for the first time.

“We realized the power of Mercedes’ interviews from the Archive of RTVE. She insisted that she wanted to tell young people what Spain used to be like and she also wanted to listen to them. That’s why we have Inés Hernand. The big surprise is that the program is unpredictable no matter how much we want to put order,” he said. David Mocasispace director.

In addition, it has a mostly young audience, participatory and involved in the topic with whom Mercedes Milá interacts: she asks them, provokes and compromises to reach an understanding with them. The public is a fundamental element in the format and also for the journalist.

Some episodes deal with specific topics of general interest, others go through the archive of interviews with Mercedes Milá and the guests in a more generic way: how our sense of humor has changed, the evolution of football from the 70s to the current events, provocation and limits in the 80s, iconic folklore in Spain, the world of actors before and now. Each song is seen by the guests, by Mercedes Milá and Inés Hernand with the eyes of the present and with a great sense of humor.

Maruja Torres and Palomo Spain, first guests

Mercedes Milá’s first guests in ‘I don’t know what you’re talking about’ are the journalist and writer Maruja Torres and the fashion designer Palomo Spain. The three, along with Inés Hernand, share hilarious moments from both of their careers and unpublished anecdotes. The complicity of the four and the set audience makes this first installment a presentation letter for a format with great light-hearted moments and unpredictable situations.